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Cone 6: Dark Flux is a translucent brown color when used alone. Cone 10: The increase in temperature will cause more movement.
Cone 6: Dark Flux is a translucent brown color when used alone. Cone 10: The increase in temperature will cause more movement.
Cone 6 oxidation: Coral Gloss is a glossy, opaque, vibrant coral glaze that is highly pigmented and formulated for stable design work at midrange temperatures and above. Cone 10 reduction: No change. Glaze remains stable.
Cone 6 oxidation: Sage Gloss is a highly-pigmented, gloss glaze. The highly stable qualities make it ideal for design work and full opaque coverage at mid-range temperatures. Cone 10 reduction (image 2): Color shifts to bluish green. Remains stable.
Cone 6 oxidation: Aqua Gloss is a highly-pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temps. Cone 10 reduction (image 2): Color shifts to baby blue. Remains stable
Cone 06 oxidation: Jade will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply gloss or matte clear glaze. Cone 6 oxidation: Color concentration occurs. Cone 10 reduction: Color shifts more blue.
Cone 06: Fires matte without a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze. Recommended clear glaze is SW-004 Zinc Free Clear. Cone 6 oxi.: Color slightly lightens. Cone 10 red.: Color concentration occurs
Cone 06: Fires matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze. Recommended clear glaze is SW-001 Stoneware Clear. Cone 6 oxi.: No change. Cone 10 red.: No change.
A beautiful bright green with a slight satiny finish. Great for indoor and outdoor tile, as well as functional ware. Holds up to nearly anything!
A deep blue with a smooth, glossy surface. As easy to use as it is beautiful, Almost Teal is one of the most popular starting points for glaze combinations. Great for beginners and advanced potters alike.
A solid, opaque black with a smooth, glossy finish. Ideal for nearly any usage, on its own or combined with other glazes.
A solid, unbreaking green. The pigment in Chrome Green will react with Archie's Base and cause it to flash pink, making this color a great choice for combining with that series.
A rich glossy brown. Great on its own or combined with the Archie's series, Cinnamon Stick develops a slight bluish haze at its thickest.
The perfect cover for underglaze, Coyote Clear Glaze is zinc-free and can be used over pinks and reds without damaging them. With proper application and firing, it provides a totally clear glassy surface.
A stable and reliable glaze that is less bright than White, but has the same glossy finish. Great as a liner glaze for functional ware.
A base of black that turns a deep and variegated cobalt blue where thick.
A bright red-orange glossy glaze. Doesn't run and provides a smooth, bold color.
A deep, intense red with less brightness and a more natural tone compared to our Really Red.
A glossy, bright white, with a smooth surface. Won't run, works great on its own or as a base for other glazes.
A soft blue that can sometimes be yellowish-brown when thin. Perfect for nearly any non-functional ware, this glaze absorbs light in a striking way and feels warm and dry to the touch.
A very runny, richly varied green that can be unpredictable, sometimes creating both matt and gloss areas on a single pot. Combines beautifully with almost all Coyote Glazes, and explodes with crystals in a slow cool.
An iron glaze with a light brown to yellow-orange color. Toshi Brown will often develop surface mottling similar to wood or salt fired glazes, without those special firing processes.
A pale blue with soft lavender tones and beautiful blue crystals. Looks different in each firing and explodes with crystals in a slow cool. Treat with care, it can be runny.