One of our most beautiful and popular glazes. Red Gold is a golden cream color with streaks of reddish brown. Depending on the thickness and firing, it can achieve a wide range of colors and finishes, sometimes including blue crystals.

A light brown glaze with a mottled, satin surface. Less breaking than the Shino glazes but with more variation than the Satins.

A deep turquoise color, rough to the touch. Perfect for small accents, or to add a field to a decorative piece.

A runny but beautiful glaze. Pale pink or sometimes cream colored on its own, the Archie's really shines when combined with other glazes, changing their colors and pulling them into interesting new patterns.

A somewhat runny, translucent glaze that pools in textured areas. Copper blue can serve as a nice base glaze, or sometimes an alternative to clear. Fires red in reduction.

Very similar to Copper Blue, but lighter in color and covered in fine crazing on most clays. A somewhat runny, translucent glaze that pools in textured areas. Fires red in reduction.

One of our most popular glazes, especially when combined with the Archie's Base. A deep, mottled green with a rich variegated surface.

Dark blue where thick, reddish-brown where thinner. A rich glaze that looks great over texture or combined with other glazes. Contrasts great with bright colors like Buttercup.

A dark green that breaks to brown over texture, and has a metallic sheen where thicker.

One of the most popular glazes in the Matt Series, Green Matt has a nicely variegated surface that breaks from green to black.

A glossy off-white flecked with dark brown specks. Has a smooth, glossy surface when fired.

A glossy opaque orange with lovely reddish tones. Won't run, glossy finish.

One of our most varied and exciting glazes, Eggplant breaks from matt purple to glossy green, and develops intense blue crystals when it cools slowly. It can get runny, especially when extra thick or hot.

A beautiful, but runny, glaze, similar to the Archie's Base but more reliably pink. Combines well with any Coyote glaze.

An exciting, exotic glaze that sometimes changes from blue to green depending on where it is placed in the kiln.  Ideal for adding detail to sculptures, or as an unusual finish for non-functional ware.

A chocolate brown glaze with a rough, irregular texture, similar to tree bark. SALE! Listed at 40% off

A dark, scaly green like the skin of a crocodile. Great for sculptures and other decorative uses.

A rich, unbreaking brown. Where thickest, it develops a slight purplish haze.

A pale green that breaks to reddish brown over texture.

A mottled greyish blue. Provides the same surface variety as Pam's Green, but with a less intense color.

One of our most famous glazes, a true, bright red that won't quit. Truly eye-catching, and great as an accent or across a whole piece.

The simplest and most popular of our crawl glazes, White Crawl is great for any decoration that needs a dramatic surface.

A smooth, not quite glossy white, Alabaster Satin is ideal as a liner glaze for functional ware. Try using it with underglaze like a majolica base.

A bright blue that feels warm and soft.  Doesn't run, combines great with other colors, especially more mobile ones like the Archie's Series.